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Spirit They're Gone, Spirit They've Vanished/Danse Manitee

Spirit They're Gone, Spirit They've Vanished/Danse Manitee
Artist: Avey Tare & Panda Bear
Label: Fat Cat
Category: Music

Buy New: $14.98



Rating: 4.0 out of 5 stars 8 reviews
Sales Rank: 48118

Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5

MPN: SP4
UPC: 600116120724
EAN: 0600116120724
ASIN: B0000BXBYA

Release Date: October 21, 2003
Shipping: Eligible for Super Saver Shipping
Availability: Usually ships in 24 hours

Tracks:

  Disc 1
  • Spirit They've Vanished
  • April and the Phantom
  • Pennydreadfuls
  • Chocolate Girl
  • Everyone Whistling
  • La Rapet
  • Bat You'll Fly
  • Someday I'll Grow to Be as Tall as the Giant
  • Alvin Row

  Disc 2
  • A Manatee Dance
  • Penguin Penguin
  • Another White Singer (Little White Glove)
  • Essplode
  • Meet the Light Child
  • Runnin the Round Ball
  • Bad Crumbs
  • The Living Toys
  • Throwin the Round Ball
  • Ahhh Good Country
  • Lablakely Dress
  • In the Singing Box

Similar Items:

  • Here Comes the Indian
  • Sung Tongs
  • Hollinndagain
  • Young Prayer
  • Feels

Customer Reviews:   Read 3 more reviews...

4 out of 5 stars It'll grow on you   August 5, 2008
Kirby
Very, very good. The first CD, which was done by only Avey Tare and Panda Bear, is the most immediately accessible of the two releases on this compilation. Featuring some absolutely KILLER drumming from Panda Bear and possibly the most painful frequencies I've ever heard, SPIRIT THEY'RE GONE is nonetheless a fractured pop classic. "La Rapet" and "April and the Phantom" are my favorite tracks, but I'm quite fond of them all. Destined to become one of those long-forgotten classics that only a few thousand people ever have the fortune of hearing.

The second CD, DANSE MANATEE, features Avey and Panda but this time includes electronics wiz Geologist in the lineup, and is possibly the most confounding release in Animal Collective's catalogue. This is not to say it's bad--I'd actually place it on the same level of quality as HERE COMES THE INDIAN--but at least half of the songs are just "out there" in every sense of the phrase. You really have to be patient with it to develop any liking for any of the songs. But the melodies are definitely there, and underneath the almost no-fi production are, in essence, a bunch of really well-written pop tunes. I recommend Throwin the Round Ball, Essplode, and Ahhh Good Country.

This compilation is an absolute must-have for any experimental pop junkies out there, or for anyone who enjoys a side of the surreal on their musical dinner plate.



3 out of 5 stars Spirit they've gone dansing   October 2, 2006
E. A Solinas (MD USA)
3 out of 4 found this review helpful

Before the Animal Collective was called that (original name: Avey Tare, Panda Bear, Deakin and Geologist), they were already producing oddball music -- three full-length albums and a live performance. Their first two albums were "Spirit They're Gone, Spirit They've Vanished," and "Danse Manitee," a pair of radically different experimental albums. One is definitely inspired, while the other is amateurish.

"Danse Manitee" starts off with a strange whining sound, sort of like an electronic disturbance, in the oddly named "A Manatee Dance." That whining continues throughout the song, interrupted by sudden bursts of video-game blips. But the tone changes with the electro-thrash of "Penguin Penguin," an abstract collection of calls and drums, and ambient fuzzpop.

They continue to vary wildly in style throughout the album, noodling through hallucinatory pop, thumping rock interspersed with cries, muted acoustics, and the rippling distortion music, which is likely to give listeners a splitting headache. But there are some solid songs in the second half, like the murky "Throwin' the Round Ball" and folky "Ahhhh Good Country."

"Spirit They're Gone, Spirit They've Vanished" also opens with high-pitched distortion, which continues in a few songs after that, but it's a much easier album to embrace. After the intro, they launch into a screaming fuzz-rock beginning, which switches into the melodic pop of "April and the Phantom," complete with chirping birds and fast guitar.

From there on, the band tries out a variety of pop styles, all with the background noise and fuzzy edges that Animal Collective fans will expect. There's the gentle piano leading up to a dreamy "Penny Dreadfuls," the creepy Halloweeny "Chocolate Girl," the electro-cricket "Everyone Whistling," and finally finishing up with the twelve-minute pop melody of "Alvin Row," which seamlessly switches from pop to rock to experimental soundscapes.

Like many a double album, these two suffer from a simple problem: One is brilliant, and the other is... well, not. "Danse Manitee" is a fairly good experimental album, with some good electronics and vocals, but there's always the feeling of talented, inexperienced musicians who are just sort of noodling around, and not playing to their strengths. With most songs, there's the feeling that it could have been so much more.

"Spirit They're Gone..." is the reverse. Here, the now-Animal Collective is playing to their strengths -- catchy pop melodies, marinated in experimental sounds and pastoral noises. Basic guitars, drums and pianos are immersed in electronic noise and distortion, bell-like synth, and samples of crickets, birds and other things. And soft, crooning vocals are laid over the whole thing, making the softer songs seem almost lulling.

"Spirit They're Gone, Spirit They've Vanished" and "Danse Manitee" are worth checking out, whether it's for the experimental pop or for the die-hard Animal Collective fan, wanting to see the band's early days. One is great, while the other merely mediocre.



3 out of 5 stars "Spirit..." A pretentious album and a look at things to come   May 29, 2006
-T-Ed (United States)
2 out of 3 found this review helpful

I listened to "Spirit They're Gone Spirit, They're Vanished" after the "Dansee Manatee" part of this two-disc re-release of one of my current favorite groups. I must say, I probably won't listen to Dansee Manatee again... And don't immediately dispell me as people who only want to listen to catchy / 100% accessable music all the time.
The reason I didn't like Dansee Manatee that much is because I think these guys were trying to hard to be out of the ordinary. These things should come naturally... and when it does, it defeniatly reflects (see Sonic Youth, Slint, Godspeed You! Black Emperor, etc...) But here, it's just aimless ramblings. I could'nt find a focus point for the album at all.
What impressed me more was the first disc (Spirit...) because it reminded me much more of later work such as Here Comes the Indian. A lot of the tracks were actually quite fantastic, being a trip of a song. Some started off quiet or awkward, but had the knack to turn into something contemporary. The amorphic structures of the songs were pleasing, albeit heard somewhere before. I couldn't help but still feel that this album doesn't stand out nearly as much as Sung Tongs. Although the longer songs (such as alvin row) had a nice adventuristic touch, they weren't memorable.
Overall, I give the album three stars because I can tell Avey Tare and Panda Bear put much effort into it, but the end result simply pales in comparison to their later (and far more accessable) work, not because it's not as accessable, but because it's less focused.



5 out of 5 stars Weird, yet highly addictive   March 14, 2005
Example: Mark Twain
6 out of 7 found this review helpful

I was browsing the "A" section at the music store the other day when I stumbled upon Animal Collective. "I've heard good things about them," I thought, but I had yet to actually hear them. Here's what I now know: They rock! On one hand, this isn't something that you show off to a group of friends in your car. It's just too weird. On the other hand, who needs to show off music to their friends? I'd imagine if people had actually heard this, it would garner similar public response to, say, a David Lynch film; you'll either love it or hate it.

Well, I love it. I think it's because if I was in a band it would sound something like this. I'm basically referring to disc 1, which is also known as "Spirit they're gone spirit they've vanished." Disc two, contrastly, doesn't hold a candle to disc 1. If I was held at gunpoint right now, i'd have to give that one a 3. I've been more than satisfied with disc 1 as is, though. I have no desire to listen to the second disc. Maybe the double disc release as a whole deserves a 4, but thinking about it, disc 1 alone was worth the 18 or 19 bucks.

The music is highly experimental. It starts out admittedly slow. Track 1 is very much a likeable song, yes, but in a My Bloody Valentine lure-to-sleep sort of way. It's also not too nice on the ears as pointed out by my annoyed sister. Track 2 is better, but the album really gets going starting with track 4. All the way through till the end is brilliant. It's got all kinds of influence that as far as I know comes from all over the world. You can not categorize this music. It's good to know that there is a band as creative as Animal Collective out there.

If you've got an open mind this could be a good place to start as it was great for me. I'm looking forward to picking up their other releases, considering this is my only exposure to Animal Collective. Download "Le Rapet" and "Bat you'll fly" and you'll be a fan. I think.


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